{"created":"2023-05-25T05:24:01.934450+00:00","id":1675,"links":{},"metadata":{"_buckets":{"deposit":"839202ca-f174-4a15-9826-5eef3fd1a60f"},"_deposit":{"created_by":3,"id":"1675","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"1675"},"status":"published"},"_oai":{"id":"oai:yamagata.repo.nii.ac.jp:00001675","sets":["56:58"]},"author_link":["5666","5667"],"item_3_alternative_title_18":{"attribute_name":"その他の言語のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"A Study of Piano Accompaniment for the Opera : with an example of ;The Marriage of Figaro; (Act ?, Finale) by W. A. Motart"}]},"item_3_alternative_title_19":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"オペラ ニオケル ピアノ バンソウホウ ニ ツイテ モーツァルト カゲキ フィガロ ノ ケッコン ダイ 2 マク フィナーレ オ レイ ニ"}]},"item_3_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2002-02-15","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"78","bibliographicPageStart":"67","bibliographicVolumeNumber":"13","bibliographic_titles":[{"bibliographic_title":"山形大学紀要. 教育科学 = Bulletin of Yamagata University. Educational Science"}]}]},"item_3_description_42":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_type":"Other"}]},"item_3_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"　近年，我が国におけるオペラブームに伴って，各地で市民オペラの活動が盛んになってきている。また教育の現場においてもオペラやオペレッタ，ミュージカル等（創作物も含める），舞台公演を行う機会が増えている。「総合舞台芸術」とも呼ばれるオペラを公演するには，多大な労力と時間が費やされる。本研究では，オペラ公演にいたるまでの音楽スタッフ，特に「コルペティトア（練習ピアニスト）」そして彼らの使用する楽譜「ヴォーカルスコア」に焦点をあて，いかに効率よく練習を進めていくかを考察する。　　In recent years, musical performances have become more popular in Japan. In particular, the number of opera, operetta and musicals staged by professional groups and by amateurs at the collegiate level has increased. This is most encouraging since it indicates renewed opportunities for such an event to take place. Opera is a comprehensive stage art. It is time consuming and labor intensive to produce. In this report, efficient and effective ways by which the rehearsals for such a production can be carried out is analyzed. The roles of Korrepetitor, the practice pianist and the ways in which he utilizes musical notes and vocal scores is discussed in depth.","subitem_description_type":"Other"}]},"item_3_full_name_3":{"attribute_name":"著者別名","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"5667","nameIdentifierScheme":"WEKO"}],"names":[{"name":"Watanabe,  Osami"}]}]},"item_3_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"山形大学"}]},"item_3_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00242980","subitem_source_identifier_type":"NCID"}]},"item_3_text_33":{"attribute_name":"出版者（ヨミ）","attribute_value_mlt":[{"subitem_text_value":"ヤマガタ ダイガク"}]},"item_3_text_34":{"attribute_name":"別言語の出版者","attribute_value_mlt":[{"subitem_text_value":"Yamagata University"}]},"item_3_text_43":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_3_text_44":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_3_text_45":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_3_text_46":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"渡辺,  修身"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-08-21"}],"displaytype":"detail","filename":"kiyoued-13-1-067to078.pdf","filesize":[{"value":"626.5 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kiyoued-13-1-067to078.pdf","url":"https://yamagata.repo.nii.ac.jp/record/1675/files/kiyoued-13-1-067to078.pdf"},"version_id":"2d391a34-2e4a-40a1-ba3f-036307d5f19b"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"オペラにおけるピアノ伴奏法について : モーツァルト歌劇「フィガロの結婚」第 II 幕フィナーレを例に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"オペラにおけるピアノ伴奏法について : モーツァルト歌劇「フィガロの結婚」第 II 幕フィナーレを例に"}]},"item_type_id":"3","owner":"3","path":["58"],"pubdate":{"attribute_name":"公開日","attribute_value":"2008-01-08"},"publish_date":"2008-01-08","publish_status":"0","recid":"1675","relation_version_is_last":true,"title":["オペラにおけるピアノ伴奏法について : モーツァルト歌劇「フィガロの結婚」第 II 幕フィナーレを例に"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-05-25T06:58:57.807393+00:00"}